Profil użytkownika bill-weber
Francine (2012)
In a character study of an ex-con who gives her heart and mind to animals rather than people, Melissa Leo's risky performance is ultimately framed with a disappointing, distanced pity.
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Radio Unnameable (2012)
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While crediting free-form radio pioneer Bob Fass with changing the culture of broadcasting, this documentary remains clear-eyed about the decline of community radio and the New Left.
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The Eye of the Storm (2011)
This adaptation of a prize-winning Australian novel is a stodgy slog save for some sporadic moments of blunt force supplied by Judy Davis and Charlotte Rampling.
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Side by Side (2012)
A serviceable primer on the digital-celluloid divide in commercial cinema, if a bit unwieldy in scope and in danger of being made obsolete by the next version of the RED camera.
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The Campaign (2012)
A lumpy spoof of electoral mudslinging that offers some bracing bipartisan contempt amid the lowbrow, labored slapstick.
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Sacrifice (2010)
A historical melodrama that retains an ancient, elemental pull even as it insufficiently charts motivation and the self-denying values of antiquity.
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A Year in Mooring (2011)
A banal "poetic" drama of a grieving stranger licking his wounds in a bayside Michigan town.
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Pink Ribbons, Inc. (2011)
A righteously outraged documentary targeting the "warm and fuzzy" iconography of the breast cancer fundraising bureaucracy and its camouflage of corporate priorities.
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Dark Shadows (2012)
A mixed bag of Nixon-era pop burlesque and vampire kitsch is ultimately undone by pedestrian gags and bloated genre boilerplate.
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The Observers (2011)
Goss's film carries its unique forms of narrative suspense, but her 16mm images imbue both the forbidding landscape and her characters' scientific aerie, though the observatory only dates...
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